Amour an Diab

Short synopsis

Tarto, Vincent, and Tiguss enter the fierce competition of the Karmon, a Malbar carnival known for its malevolent nature in Réunion. By transforming their sugar worker uniforms into dazzling warrior costumes, they will embody evil spirits and demons that have been part of this ominous marriage for over a century.

 

Statement of intent

I discovered the Karmon, a nearly forgotten love myth, after having lived in Réunion for over 25 years. Amidst golden strips of fabric, Halloween masks, sharp screams, whistles, drums, and fragmented dances… an enchantment seizes me. Since 2012, I’ve been archiving this Creole carnival theater of Hindu origin. I meet Tarto, Vincent, and Tiguss, who are making flashy costumes that will ultimately be torn apart. A voice wanders over the images, telling the stories of colonial iron. The sugar factory haunts the frame and the neighborhood. Chimneys, vapors, machines, and crushings bring the stains of history, which the Karmon sweeps away. Amour an diab blends the textures and sounds of this transcendental experience.

Direction

Jean-Marc LACAZE

Reunion island

Format

Feature-length documentary film

80 min 

In development

Production

Les films de l’autre cougar

Total Budget:

191.000 € 

Funding confirmed :

27.300 €

Contacts : 

Emma FARINAS

+33 6 85 42 21 57

emma.farinas@gmail.com

Contacts : 

Jean-Marc LACAZE

+262692278141

lacazejm974@gmail.com

The author :

Jean-Marc LACAZE experiments in visual arts, live performances, and the field of author-driven documentary filmmaking. His concerns and work oscillate between syncretism, travel, “mythomania,” humor, and societal issues.

The production company:

Les films de l’autre cougar is particularly drawn to self-taught filmmakers and those from schools that promote free thought and the renewal of forms. The company brings to the French film landscape auteurs who stand out from the traditional cinema families by what they have to show and their freedom of expression. All of our filmmakers formulate their own social critique, drawing on their sensitivities to invoke poetry, humor, or drama. They represent a generation of filmmakers concerned with the world around them and its political issues, driven by the desire to elevate reality and shift perspectives.

https://lesfilmsdelautrecougar.com